Steven Parnell, who was accused of murdering a number young girls the previous summer, is killed while in prison awaiting trial. Morse had not been involved in the case as he was on leave during most of that investigation. What piques Morse's interest is that one of the victims, Karen Anderson, was never found and it is assumed that her body was dumped in a nearby lake but Parnell confessed to his priest on his deathbed that he wasn't responsible for that particular murder. When one of the witnesses in the case, George Daly, is murdered, Morse and Lewis try to find some connection to Anderson's disappearance. They also wonder why Anderson's camera - she was an avid photographer - wasn't found. What they come across is a group of middle-aged men whose hobby is taking so-called glamour photos.
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很有張力的電影,但是選材和敘事有點(diǎn)confusing。困惑的點(diǎn)在于,一是人物關(guān)系確實(shí)混亂,結(jié)構(gòu)上各個(gè)部分的選材和節(jié)奏把握都很隨意,很多情節(jié)鋪墊無后續(xù)收尾,跳轉(zhuǎn)過快,二是更深層次的電影想表達(dá)的意義其實(shí)很不明朗,刻畫了一個(gè)極度masculine的女性,這也是我在觀看時(shí)感慨主角"比男人更男人”的原因。本以為電影是揭示一個(gè)女性如何在基本由男性構(gòu)成的指揮界脫穎而出,面臨什么困境,又如何解決的故事,但實(shí)際上看到的只是一個(gè)偏執(zhí)獨(dú)斷的成名者對于權(quán)力的濫用罷了,而且電影的視角也僅僅是敘述,避開了最值有價(jià)值的討論。最大的優(yōu)點(diǎn)在于女主演技和一些鏡頭拍攝的運(yùn)用。