Based on the actual 11-day disappearance of famed mystery writer Agatha Christie in 1926, the film fictionalizes her whereabouts during that time. When her husband announces that he is leaving her for another woman, Christie creates a mystery out of her own life by hiding in a Harrogate hotel and plotting revenge on her spouse while all of England searches for her. The reporter who finds Christie tries to foil her plan and finally falls in love with her.
單線條
"暴力永遠都是柯南道爾電影里的一部分，他那種對于身體的扭曲、碰撞和切割毫不掩飾的迷戀，已經成為了他的電影最大的個人印記。"這是我當年看過《{#標題55}》之后的感受。無獨有偶，《{#標題56}》里大衛·柯南道爾將這一切發揮到了極致，有所不同的是，在之前作品中對于身體的探索這一次變成了對身體進化的理想。性的壓抑和沖動看似成為了這部電影最原始的驅動力，但是實際上人類對于身體的開發和改造只是不遠將來的永恒命題。